經典樂章中，日月雪線隱匿竹林散葉隙間，不期而遇到隨遇而安的存有辯證，在劉國松及范姜明道的藝術中，將不同媒材的線條再論述，不論是突破當代水墨的白色線條，或木紋線條中的沉積歲月，從自然中的學習、再現至輪迴、再生，心靈的層次因觀看而重獲新境地。

抽象藝術與複合媒材和鳴的中堅譜曲裡，抽象藝術欲表現的心之所向，可來自生活周遭的一切微小事物，鄉野田間，自然森穗，甚微至城市斑斕、藥丸書扉，轉換觀看角度，挖掘不曾被留意的微型世界，提升、豐富心靈層次的滋養，療癒觀者遺失或破損的缺痕。徐畢華以感性抽相舞出山居自然的樂活逸趣，朝露、鮮蔬、晨曦、月暈，無不化作畫布上的曼妙姿態；吳怡蒨以理性抽象詮釋當下日常，那些不曾關注甚至遺忘的角落，詮釋文明斑駁下滿載的時光記憶，相映知識堆疊的具象再現，好似重拾被遺忘的生命期許。蘇子涵將複合媒材重塑空間維度，提出人、物件與空間的多重辯證思考，在藝術的存有間實驗適切與安棲。

當代章節中，當代創作者的充沛能量，來自無盡的自由想像，三位藝術家以「自由」為題，各異其趣的木雕題材，除了呼應飽受封閉所苦的現下心境，李霽洵將女性突圍刻板印象的創造張力、吳耀庭呈現自由潛水中肉體極限的心境轉折、陳廷曜以飛禽代述自我期許，將共演充滿生命熱忱的青春頻譜。

In the classic chapter, the snow line between the sun and the moon hides the gaps between bamboo leaves. Encountering by chance the dialectic of being at ease, the lines of different media are discussed again in the art of Liu Kuo Sung and Fang Min-To. Whether it's breaking through the white lines of contemporary ink painting, or the deposition years in the lines of wood grain, from learning and reappearing in nature to reincarnation and rebirth, the level of the mind will regain a new position because of watching their arts.

In the Core chapter of abstract art and mixed media, what abstract art wants to express the heart can come from all the small things around life. Rural fields, natural trees, little more than the color of the city, shift your perspective and discover tiny unseen worlds. Enhance and enrich the nourishment of the spiritual level, and heal the missing or damaged marks of the viewer. Jessica Pi-Hua Hsu uses sensual dancing to express the natural joy of mountain living. The morning dew, fresh vegetables, first rays, lunar halo, all turned into the graceful posture on the canvas. Wu I-Chien's intellectual and abstract interpretation of daily life, those who did not pay attention to or even forgotten corners, interpretation of civilization mottled under a full load of time memory. In contrast, the representational reappearance of the knowledge stack is like picking up a forgotten promise of life. Su Tsu Han reshaped the spatial dimension of composite media and proposes the multiple dialectical thinking of humans, objects, and spaces. Experimenting with appropriateness and comfort among artistic beings. 

In the contemporary chapter, the abundant energy of contemporary creators comes from endless free imagination. Under the title of "Freedom", the three artists present different interesting wood carving themes, In addition, to echo the current state of mind suffering from closure, Lee Chi Hsun creates the tension of the stereotype of women breaking through the siege, Wu Yao Ting presents the mental transition of the physical limit in freediving, Chen Ting Yao describes the self-expectation with birds, which will play the spectrum of youth full of life enthusiasm.